a novel ISBN 0-930773-21-7 |
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| What the Critics are Saying |
"Please welcome back David Willson's REMF, an altogether different kind of war story character. In 'The REMF Returns,' Willson continues his story of the office-based soldier who never fires a shot in anger--and whose days are pervaded by the moral and spiritual twilight of life in the rear echelon of a shooting war. Willson's sly humor and carefully stylized minutiae of daily life in the Army join to make this book an important document in an area rarely confronted in our literature of Vietnam."
-- Richard Currey, author of Fatal Light and The Wars of Heaven
'REMF Diary' and 'The REMF Returns' are well calculated and crafted looks at the other Vietnam; the kind where Willson's subtle and biting humor makes you think long after he makes you laugh!"
--
Kregg P.J. Jorgenson, author of Acceptable Loss: An Infantryman's Perspective
of Vietnam,
and Inches
to Live, Seconds to Die
The sequel to REMF Diary (1988--not reviewed): an account of the last days of an Army
clerk's Vietnam tour-of-duty from July 5 through October 23, 1967. Both books claim to be
novels, but if you're looking for intense combat scenes or romantic interludes back in
Hawaii, you'll be disappointed. The fate of Western democracies is not decided here. The
point is comic, although in a way cautionary: this is the tale of a clerk in the rear
areas of Saigon and the plush base at Long Binh, and the truth is that it is at least as
representative of the enlisted man's Vietnam war as are tales of combat by Larry
Heinemann, Gustav Hasford, or John M. Del Vecchio. Willson's diary entries are detailed
and often annoying accounts of: how little work he can do in a day, the books he reads
(mostly mysteries), what was served at the mess hall, the TV shows he watched, and the
rock songs he listened to. Characters emerge--such as the officer who seems to have a
vendetta against him; several buddies; and some prostitutes--but Wilson appears to have
drawn almost verbatim from his diary at the time. He sets no scenes and for the most part
does not even reproduce dialogue, but nonetheless the minuteness of his account causes the
rear echelon war to emerge, in its droning, hot, meaningless stupidity. We see Willson
planning for his R & R in Hong Kong and then enjoying it; his naivet and
unwitting irony are a delight and irritation at once. He starts from the point of view
that none of what is going on around him makes sense, and neither do the objections to it.
Maybe it's not so different from ``the world'' itself, where the first object is to
survive, and the second is to enjoy oneself. With all the agony we have come to associate
with the Vietnam War, many young men had the time of their lives, and will never enjoy
themselves so much again. Whether these two diaries are novels begs the question-- there's
a narrative here, and a sly wit at work. -- Copyright ©1992, Kirkus Associates, LP. All
rights reserved.
-- Kirkus Reviews, 03/01/92